Description
This print is part of the ‘Bones’ project. Bones project is inspired by the ‘straight photography‘ movement of Alfred Stieglitz, Edward Weston and Ansel Adams. Subjects are photographed at a close distance, on an overall blank or empty background, to show their shape and structure. The beauty of the subject itself makes the picture.
Bones project is made on tintype, ambrotype and prints. Prints can be made on Rosaspina or Artistico papers, with cyanotype process, Van Dyke brown, salt paper, kallitype, carbon.
The photograph of this actual sale was shot on a wet plate collodion negative, a process rooted at the dawn of photography, on the year 1851. The negatives are made on glass plates of 30×40 cm size (12×16″). Such a negative is then printed on various alternative photographic techniques. They can be cyanotype, Van Dyke brown, salted paper, kallitype and so on. All these photographic processes are also rooted at the dawn of the photographic printing process, just before the advent of silver gelatine.
This work of art is printed with cyanotype process
This work is made with the traditional cyanotype process and also with the Mike Ware’s new cyanotype process, on two kinds of papers: Fabriano Rosaspina and Fabriano Artistico, at my own choice and inspiration. Both papers are museum-quality papers from the Italian paper mill Fabriano. I only use heavy weight paper, such as in the range of 285-330 gr/sqm.
Rosaspina and Artistico papers
Rosaspina performs a coarse grain surface, as rough as raw paper. The image looks printed inside the texture of the paper, as it is indeed. I like this kind of result because ancient printing techniques should show the primitive essence of imagery, in my opinion. Such a raw texture meets perfectly my goal and inspiration while making this project.
Artistico is smooth. The print looks sharper. Prints made on Artistico papers are more photographic-looking, closer to a modern print.
Archival processing
The print undergoes an archival processing specifically designed for this kind of photographic printing process. Then it’s trademarked with press seal.
Archival processing is designed to extend life of the print to the maximum possible. Nevertheless it is recommended to showcase the work of art away from direct sunlight.
Floating frame
The work of art is showcased as mounted on an original frame of my own concept, called ‘floating frame’. Such a framing holds the print at a distance from the back of the frame. The sheet is kept in position by eight L-type brass-coated hooks. The frame is made of raw wood and it is painted in black.
Dimensions
Entire sheet is roughly 35×70 cm (13.78×17.56 in). Papers are hand made, so consider a little difference with the standard measures may occur from print to print.
Blueprint area is hand-brushed, so it’s difficult to say the actual size. It’s indeed roughly 2-3 cm (1 inch) larger than the negative size.
Negative size (image) is sharply 30×40 cm (11.8×15.75 in).
Selling and shipping details
This work of art is sold without the frame. The price is for print only. The frame is available for sale and it is listed on this website shop.
If you have any question for displaying this product please ask.
Ships in a tube, worldwide.
